In the play of the flight: Aviation and the western fantasy, 1920-1950, Robert well-being describe to see landscape differently than like the authors, who began flight experienced for the first time, - both in illustration and speed expressed. Paul Morand e.g. in d�orient Fl�che (1932) considered the absence familiar places of assembly: �the blue lower surfaces of the sheets, the laminated fronts of the mountains, the kolonnade formed by a forest, the dark bags for that lowering, and humans... � instead of, world of geschauenes a �like painting, which was released by the old perspective and yesterday�s colours.� the analogy with abstract painting to other authors arose. Ernest Hemingway flew from Paris to Strasbourg 1922 and to the saw under �brown squares, yellow squares and large flat mark of the Gruens, in which there was a forest. I did not begin to understand cubist painting.� Gertrude stone that down the American landscape was regarded and saw �all the lines from Kubismus in an educated manner, at a time as a painter into an airplane had at all above gone. I saw three on the mass the mixing lines of Picasso and came and go, develop and destroy. I saw the simple solutions of to Braque, I saw that the surprising tightened lines of Masson... � stone that �as the twentieth century is one century, that the mass, since none saw them at all the mass have a splendour see, which never had it...
Source: http://some-landscapes.blogspot.com/2008/02/freed-from-old-perspective.html
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